It's been about a month since the launch of "Grantland," a new ESPN digital magazine fronted by columnist Bill Simmons.
"Grantland" is a homage to legendary early 20th century sportswriter Grantland Rice and the site's spare design harkens back to simpler times.
It's also an outlet for Simmons to publish his vision for news and pop culture, tapping new voices that mostly are a breath of fresh air from the usual suspects, aka East Coast media and major metro sports columnists. (I say mostly because longtime Boston newspaper columnist Mike Barnacle has made at least one appearance).
Simmons is ground zero among these fresh sports voices, building his own fan base through a sheer hustle and bravado. His backdoor route to prominance led to ESPN.com's Page 2, ESPN The Magazine and later as author of a best-selling book on the NBA. His schtick is that of an Everyman, with a dash of National Lampoon. It's hard to take him seriously sometimes -- and he's been in more than one tiff with ESPN over creative differences -- but the popularity of his book, Twitter feed and sports podcast sent a clear message to ESPN that they had a strong personal brand to build around.
Which brings us to "Grantland," a daily mix of sports news, commentary and pop culture. Sports scores and daily highlights this is not, and that's a good thing. As Simmons writes in "Welcome to Grantland":
"We had four goals for this site. The first was to find writers we liked and let them do their thing. The second was to find sponsors we liked and integrate them within the site — so readers didn't have to pay for content, and also, so we didn't have to gravitate toward quantity over quality just to chase page views. The third was to take advantage of a little extra creative leeway for the right reasons and not the wrong ones.12 And the fourth was to hire the right blend of people — mostly young, mostly up-and-comers, all good people with good ideas who aren't afraid to share them."
The writing is deep and rich, has attitude and taps into that vein of "this is what people like me talk about in bars." Simmons was quick to hire Chuck Klosterman, best known as an unpredictable "gonzo-style" music journalist who has some serious sports chops, and the pair ensure the bar on coverage is high.
Some things have been predictable, including lists ("The 25 Least Valuable Players in the NFL," "The Sports Book Hall of Fame") and -- you knew this was coming -- a feature on "The National," an ill-fated attempt at a national sports daily 20 years ago.
But this is a publication worth watching. Things that caught my eye include:
"12. For instance, I dropped an F-bomb earlier and it felt pretty organic, you have to admit. If I dropped a second F-bomb to celebrate dropping the first F-bomb? Probably a little gratituous. Then again, fuck it."
Simmons is off to a good start, and has ambitious expansion plans, including sports and pop culture blogs, story comments, a sports podcast network and a quarterly publication. As Simmons writes, "You figure out what works, you figure out what doesn't work, you keep moving. That's the next nine months for us. Eventually, we will evolve into what we are. Whatever the hell that is."
The businessman in me wonders how he'll make such an eclectic mix work, but we'll be gladly hanging on for what will be an interesting ride.
Many people in the media are still in shock over Friday's sudden announcement that ESPN was shuttering Grantland.com immediately.
As an author of complimentary pieces on Grantland and owner of every single copy of Grantland Quarterly — and the rare Grantland book on Detroit sports — I too was taken aback, but not surprised given Bill Simmons' melodramatic departure and the recent exodus of name Grantland staffers amid ongoing ESPN budget cuts.
In pondering some of the great work Grantland delivered in its short life, I was reminded of something I wrote in this article back in July 2011, shortly after Grandland first launched. I ended something of a love letter to Simmons and Grantland with this paragraph:
"The businessman in me wonders how he'll make such an eclectic mix work, but we'll be gladly hanging on for what will be an interesting ride."
Indeed it didn't work in the business sense, but it did work in giving the world a rich example of how eclectic mixes of passionate voices can meld together in one spot. Who knows whether that vision could have survived with more business acumen. I'm just glad it lasted as long as it did.